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・ The Harsh Cry of the Heron
・ The Harsh Light of Day
・ The Hard and the Easy
・ The Hard Case
・ The Hard Copy Observer
・ The Hard Corps
・ The Hard Easy
・ The Hard Easy (Adventure Time)
・ The Hard Easy (film)
・ The Hard Goodbye
・ The Hard Interchange
・ The Hard Lessons
・ The Hard Life
・ The Hard Life of an Adventurer
・ The Hard Man
The Hard Nut
・ The Hard Part
・ The Hard Ride
・ The Hard Road
・ The Hard Road (song)
・ The Hard Sell
・ The Hard Sell (Encore)
・ The Hard Stuff
・ The Hard Swing
・ The Hard Times (band)
・ The Hard Times of RJ Berger
・ The Hard Travelers
・ The Hard Way
・ The Hard Way (1916 film)
・ The Hard Way (1943 film)


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The Hard Nut : ウィキペディア英語版
The Hard Nut

''The Hard Nut'' is an adaptation of Tchaikovsky's ''The Nutcracker'' choreographed by Mark Morris. It took its inspiration from the comic artist Charles Burns. That art is personal and deeply instilled with archetypal concepts of guilt, childhood, adolescent sexuality, and poignant, nostalgic portrayals of post-war America. Morris enlisted a team of collaborators to create a world not unlike that of Burns’ world, where stories take comic book clichés and rearrange them into disturbing yet funny patterns.
Morris turned to Adrianne Lobel to create sets that would take Hoffmann's tale out of the traditional German setting and into Burns’ graphic, black and white view of the world. With these immense sets and scrims, lighting designer James F. Ingalls created a dark world within retro 1960s suburbia and costume designer Martin Pakledinaz created costumes that helped bring to life Burns’ world, described as being "at the juncture of fiction and memory, of cheap thrills and horror." The last of 10 pieces Mark Morris created during his time as Director of Dance at the National Opera House of Belgium, the piece was his most ambitious work to date.
''The Hard Nut'' premiered on 12 January 1991 at the Théâtre Royal de la Monnaie in Brussels, just short of the 100th anniversary of the creation of Tchaikovsky's classic score. Shortly after the premiere, Mark Morris Dance Group returned to the United States, having finished their three-year residency at the Monnaie, but the Monnaie seemed the most fitting stage to film the production so the company returned six months later with film crew in hand for ''encore'' performances in Belgium's national opera house.
==Plot==
While resetting the ballet in a 1950s style American town, including a very subtle homosexual subtext, costuming it garishly and making the characters rather cartoonlike (the toy soldiers are an army of G.I. Joes), the overall plot of ''The Nutcracker'' was rather faithfully followed, to the point of including a pantomime version of "The Story of the Hard Nut," the tale-within-a-tale of E.T.A. Hoffmann's "The Nutcracker and the Mouse King" in Act II, to explain how Drosselmeyer's nephew was turned into the Nutcracker. This section is usually not included, not even in Tchaikovsky's original version. Princess Pirlipat is turned into a pig-snouted creature as a baby by the vengeful Mouse Queen, and Drosselmeyer searches the world for a way to break the spell, thus ushering the famous ''Danses caracterisques'' of Act II. The only one able to do so is Drosselmeyer's nephew, who, after biting a hard nut, breaks the spell placed on Princess Pirlipat, but is turned into a Nutcracker. Princess Pirlipat promptly rejects him, whereupon Clara (here called Marie) declares her love for him and the spell on Drosselmeyer's nephew is broken.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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